Black history, Caribbean narratives, and fierce female friendships

Februaries are turning out to be wellsprings of creativity and culture. Here are a few things I learned and enjoyed this rare rectangular month of #BlackHistory.

Cinema and telly

I May Destroy You (Michalea Coel)

CW: Sexual assault

A little late to the party with this one but here I am. In this face-paced attention economy, it’s getting rarer and rarer for movies and TV to be committed to memory over time but wow, this is one for the books. Michaela Coel has created an unforgettable show. She takes a difficult, incredibly personal, traumatic subject matter and tackles it head-on, with aplomb and surprisingly, humor too. No holds barred. She doesn’t flinch and repeatedly presents to us what trauma looks like, what rape survivors look like, and how many different ways there are to grieve and heal. There’s so much to say but nothing would do it justice. I’m thankful she exists, thankful she’s poured so much of herself into her work, to educate the world on the multiple realities of surviving sexual assault. As a bonus, we get to enjoy a beautiful and resilient Black female friendship, underscoring the importance of community as we navigate life, reminding us to keep showing up for our chosen families.

Your birth is my birth
Your death is my death

Judas and The Black Messiah (Shaka King)

The Black Panthers' mission is a contemporary one

This is a momentous morsel of Black Panther history, masterfully directed by Shaka King with absolutely entrancing performances by both LaKeith Stanfield (who I discovered and loved in Short Term 12 almost a decade ago) and Daniel Kaluuya (remarkable in Black Mirror’s Fifteen Million Merits). Kaluuya as Fred Hampton, the chairman of the Illinois chapter of the Black Panther Party, delivers an astounding performance, with revolution reverberating through this whole body every time he addresses the crowd. I am tempted to follow him to the ends of the earth. William O’Neal, played by Stanfield, gets caught impersonating an FBI agent and is forced into infiltrating the party undercover in exchange for his freedom. The ever-increasing weight of his treason begins to take its toll and your heart can’t help but go out to him. Gripping from end to end, this will probably go down as one of my 2021 favorites.

Small Axe (Steve McQueen)

A delight for the senses

Steve McQueen’s magnificent anthology series celebrates West Indian narratives in London between the 1960s and 1980s. Each film is a self-contained story depicting varying iterations of Afro-Carribean joy, pain, victory and resilience. Steve McQueen is careful not to gloss over the political climate in 1970s London and does not draw a veil over the many tactile accounts of police brutality and structural racism. The depictions of anti-Blackness remain as timely in 2020 as they did 50 years ago as we are reminded that violence of this magnitude is neither new nor resolved.


Reading

Love After Love – Ingrid Persaud

Parallel to feasting my eyes on Small Axe this month, I got to dive into Ingrid Persaud’s spellbinding Indo-Carribean universe. Set in Trinidad, we follow the adventures of the book’s unorthodox family, Betty Ramdin, her son Solo and their lodger, Mr. Chetan. The unconventional places to find love and the universal longing for companionship and belonging take centre stage as our senses are gently tingled with detailed descriptions of life on the island: the fragrant curries and spices, the proximity to the beach, the eccentric townfolk, the illustrative language, the multiculturalism, the communities. Many of the scenes and experiences described in the book echo my own insular life in Mauritius, a realization which has renewed my interest in the longstanding parallels between former British and French colonies.

Here’s the review that made me want to read it.

ZOM-FAM – Kama La Mackerel

Kama La Mackerel is the Mauritian poet I’d be waiting for. Their voice is underlining a vital part of our collective histories, present, past and future. Their debut poem collection highlights their journey with gender identity outside of Western pathologization, evocatively adorned with splashes of Mauritian folklore and spirituality. Through their work, I’m reminded yet again (after reading Akwaeke and Alok last month) that there are many ways to self-identify and present and that we need not fit inside boxes that weren’t made for us.

Here’s a lengthier version of my review.

The Subtweet – Vivek Shraya

I discovered Vivek Shraya on a late-night YouTube wormhole in 2010, fueled by my then obsession with Tegan and Sara – at a time when I was likely searching for relatable pan-Canadian points of reference. I came across The Alphabet, was moved by it, and saw pieces of myself in this Brown Canadian creative.

What a surreal full-circle kind of feeling to have rediscovered Vivek more than a decade later, this time in book form, and still feel connected to her voice. This book is as contemporary as it gets, chock-full of millennial speak with all kinds of cultural references that make me feel seen on an intimate, almost embarrassing level (nods to Alok, Heleena Tattoos and Swet Shop Boys especially). It’s an homage to the complexities of Brown personhood in the traditionally white space that is the music industry. It also gets perfect scores on both the Bechdel and Riz tests (we need a Brown woman version of this – the Mindy Kaling test?!) with its rich array of layered Brown female protagonists. We love to see it!

There was an unspoken rule of silence amongst brown girls in white rooms. Staying separate was a way to assert their distinctiveness and delay the moment when their classmates or teacher would “accidentally” refer to one of them by the other’s name.

The Subtweeet, Vivek Shraya

In other news

Déconstruire pour mieux reconstruirethoughts on bobo nightlife and whiteness in Mauritius

Five days after publishing, this is already my most viewed and shared piece of writing, ever. In it I pen down some of my experiences with white supremacy in Mauritius. The number of people who’ve found resonance with my account is staggering. One of my friends has also recently created a series of memes on the topic which was relatable to a significant % of her Mauritian following and thus extensively shared. This issue is pressing. The Indo-Mauritian communities also need to reckon with our own patterns of casteism and anti-Blackness as we continue to directly uphold the very systems oppressing us.


Riz Ahmed is my new hero. I can’t stop listening to The Last Goodbye. More on this next month.

Brown erasure in white spaces

In early February, I attended an artsy fartsy bobo event, Anba Pie (which translates to “under the tree”) at l’Aventure du Sucre in Mauritius. This was my first time going out out in a while. I felt a twinge of nervousness on my way there, not uncharacteristic of me to feel ahead of events like these. In fact, I tend to steer clear from the Mauritian yuppie scene altogether. Instead of dismissing those feelings though, I let myself linger a bit longer than usual, you know, to try to situate the discomfort. Déconstruire pour mieux reconstruire.

We get to the event location and find our way to the entrance after walking a few minutes through the parking lot. We go in and we hear rhythmic percussion beats, typical of this kind of shindig. People are gathered in pods around tables, trees, and makeshift seating areas talking, laughing, drinking.

The venue is beautiful, simply adorned with fairy lights interspersed between the trees. I scan the area for familiar faces, hoping to catch the eye of a friend. I look around and what I already knew before coming here is now made abundantly clear. This is a Mauritian bobo hideout. This is where all the twentysomething yuppie Mauritians come to play. Also, this is where a lot of Franco-Mauritian yuppie twentysomethings come to play.

This might seem like an innocuous observation to some, so let me expand. White or Franco-Mauritians are a very small % (around 2) of the population. Many of us non-Franco-Mauritians also have this kind of unspoken understanding that they live and exist in their own spheres, largely segregated from the rest of the population. As I explained in an older post on anti-Blackness in Mauritius, growing up Brown or Black here often means you rarely get to interact with white people. At least not socially. They don’t go to your school. They’re not at the same restaurants. They most certainly aren’t serving your food. You know of white Mauritians as wealthy business owners. You associate them to life in Rivière Noire and the upscale parts of Curepipe. You associate them to private beaches (the ones they could freely roam as you followed strict quarantine rules at home). You associate them to the means of production. You’re never sitting at the same table.

To add to the unofficial segregation, that some places are made for them and often by them is usually crystal clear. A lot of Mauritian brands advertise their products using only white or white-passing models. Some will even indicate prices in euros or dollars. A lot of these places will generally be really expensive too, like a month’s rent for a bikini, a month’s pay for a dress. Additionally, there are the more subtle cultural hints you absorb over the years. It’s not uncommon for me to walk into stores and barely be acknowledged as a client but for a white client to enter the exact same store, and be fervently greeted. It’s also not uncommon for me to have waited in line to pay or order, and have a white person, further in line, be attended to before me and any other Brown or Black paying customers.

I remember a particularly scarring occasion circa 2010: I was visiting Mauritius from college and went to a night club in Flic en Flac with a bunch of friends. We were all dressed to the nines, as was expected of us in order to be let in. We were amassed by the entrance, and the bouncers, savoring the fleeting modicum of power they held in that moment, took an obvious pleasure in making us wait, huddled impatient and sweaty against one another. A short while later, a group of white men approach the entrance. I distinctly remember them all dressed very casually, in t-shirts, beach shorts and flip-flops. The bouncers gesture at us to get out of the way. To literally make way for them to enter. In that moment, we see the bouncers’ facial expressions (Brown and Black bouncers, to be exact) shift from “I call the shots” to “at your service”. We continue to wait in line for quite some time.

I don’t think I reflected on this incident very deeply back then. I was irked and could see the injustice, but I hadn’t yet tied this to all the other racially-motivated events that I’d been witness to. Putting the pieces together is nothing short of heartbreaking. It takes so much to hold your head up high when you’ve been told so many years to keep it lowered.

So, walking into a place that’s very white inevitably feels like you’re entering a space that’s theirs. That’s created and crafted for their leisure and their purported superior tastes and preferences (superior by virtue of having the means to access the best of what this island has to offer). And because you operate from that internal vantage point, you’re suddenly thrust into thinking you have something to prove. That you must prove you belong there as much as they do. That you must latch onto any form of acknowledgement you might receive. That acceptance within this group enhances your social credentials.

The lesson I have never quite been able to shake: that I would always have something to prove and that nothing but blazing brilliance would be enough to prove it.

― Yaa Gyasi, Transcendent Kingdom

I sit with those feelings for a moment. I’m reassured because this time, I’m not alone. I’m with friends, one of whom feels similar discomfort. It’s nice to have a sounding board in this kind of setting. It’s grounding and life-affirming. Because you’re uneasy and you’re not sure why. And this is why: you feel invisible. Places like these invisibilise you. Like the decades of implicitly knowing white people exist above you just suddenly rise to your frontal lobe. The knowledge becomes palpable.

My friends and I discuss this. The singularity of being placed in a white space in Mauritius. Knowing that white Mauritians don’t dominate in number but do in potency. It’s a painful reminder of our otherness on what feels like our land. It’s a painful relegation au second plan. The ideas that have festered in our brains for as long as they have are rapidly regurgitated and inform our social awareness.


I want to start paying heed to these feelings whenever they show up, to look them in the eye and reason with them. To ground myself and affirm myself. I am not lesser than them. I do not need to prove myself to them. They are in privileged positions because their ancestors pillaged and enslaved. That is nothing to look up to or envy. I am not lesser than because of the color of my skin. I am not born with this knowledge that my complexion makes me small. Just as I’ve learned to diminish myself for it, I can learn to elevate myself for it. This space is mine for the taking too. I am here because I belong within myself and within the spaces I carve out for myself.

In this realization, I let loose. I do not need their approval. As much as my brain seems to want to convince me that I do, I do not. I let loose. Bodies, swaying, sweaty on the ground that we dance upon. Magic System’s 1er Gaou is playing, as we all cheer and channel a vague sense of pan-Africanism, and I am reminded of simpler times. My feet pound and my hips sway. I live for none of them.


Gender identity, Africanfuturism and other ways of being

In January, my readings and reflections have centered around gender identities and alternate ways to express and imagine ways to be.

What I learned from Akwaeke Emezi‘s Freshwater : the West doesn’t have all the answers.
Gender dysphoria or split personality disorder amongst other human conditions are concepts that were largely pathologized in the West. In Freshwater, Emezi explores the multiplicity of their selves in ways that aren’t commonly discussed or imagined. Rather than equate their neural activities to a pathology or a psychological diagnosis, they use Igbo ontology to find and claim identities as objange (an Igbo spirit that’s born into a human body). This has taught me that there are other places to look for answers than the West. That oftentimes my own culture(s) might carry notions I can adopt and use to answer my questions. This has also made me reflect more deeply on my own gender identity. More on this later.

“Our language around gender identity is often so Western, how can we intersect that with non-Western realities? “

Akwaeke Emezi

In Conversation – Akwaeke Emezi

Transition – My surgeries were a bridge across realities, a spirit customizing its vessel to reflect its nature


Nnedimma Nkemdili Okorafor coined the term Africanfuturism because Afrofuturism didn’t do a good job at illustrating her work. What I’ve learned from this is: if the box doesn’t fit you, make your own. Or even screw boxes altogether.

Afrofuturism was coined by a SWM and has connotations attached to it that are limited and limiting: “…it lacks room to conceive of Blackness outside of the Black American diaspora or a Blackness independent from any relationship to whiteness”. Additionally, this made me address my own understanding of who gets to coin words and concepts. I’ve long felt that the power and authority to coin new words belonged solely to those in power, AKA the colonizers, the SWM. Neologisms make their way into lexicons every year based on frequency of use and relevance. I shouldn’t let entities external to me and my understanding of the world (especially entities with a track record of erasure and oppression) be the only ones who get to imagine new ways of being. That would be akin to enabling my own oppression.

Afrofuturism, Africanfuturism, and the Language of Black Speculative Literature

“My science fiction has different ancestors — African ones,” says writer Nnedi Okorafor.

“There’s magic in being seen by people who understand – it gives you permission to keep going.”
― Alok Vaid-Menon, Beyond the Gender Binary

“Understand this if you understand nothing: it is a powerful thing to be seen.”
― Akwaeke Emezi, Freshwater


I can’t tell you how deeply I’ve felt this over the past few months. In my recent readings, especially those that mirror my own intersections, I’ve discovered the power that lies in being seen. When I feel seen, but I mean really seen, I am reminded I exist. Now that I’ve discovered this ability to be seen in my near entirety, either by books, art, online spaces or people, I don’t think I can do life any other way. I shouldn’t have to.

Also, internationally renowned gender non-conforming writer and performance artist Alok Vaid-Menon has been doing wonderful work, first of all just by existing and second of all, by continuously dissecting contrived so-called “truths” (often fabricated with very specific end goals in mind) and doing so with critical thought and compassion by the truckload – an unlikely but essential mix! I love them and I think Beyond the Gender Binary is a quick, accessible read that easily broadens perspectives and expands the possibilities of love and acceptance beyond the limited confines of tolerance. Alok has helped me face my own biases, they’ve educated me tremendously and have modelled the kind of compassionate behavior I can only hope to someday come close to.


ZOM-FAM by Kama La Mackerel

ZOM-FAM


I can’t tell you how close to home Kama La Mackerel feels. When I first found them on social media last year, I felt an immediate connection. Like long lost kin was making their way to me. Kama is a Mauritian-Canadian multidisciplinary artist who lives and loves in Montréal/Tiohtià:ke, and as those of you who follow me may know, these places that they call home are the very places I call home. ZOM-FAM (which translates to man-woman) is a groundbreaking Bildungsroman of a poem collection, recounting their coming of age within the liminal spaces of gender, race, class and spirituality.

I badgered them about when this debut poem collection would be available in Mauritius (where I now live) with little hope of actually getting my hands on my own copy in the foreseeable future.

So it was with excitement unabashed – and a dash of nervousness – that I was able to finally hold my own copy in my two hands. A dream. A manifestation realized.


I have a hard time with poetry. I often feel like I don’t “get it”. That poetry has these metrics through which to be understood that I somehow lack. This also probably stems from being force fed rote interpretations of Woodsworth in high school. Regardless, I set out to read ZOM-FAM knowing I’d love it. Knowing I’d see some of myself in it. I set out to read ZOM-FAM hoping not to understand it but to feel it.

There is a surprising combination of anticipation, anxiety and then release that I feel working my way through the pages. Like there are things that crack open and the breaking is scary. But then there’s the putting back together. And therein, some sort of comfort. But then, another crackle. This was felt through the calculated liberties they take with form and spacing. The choice of words that taste so sweet on the tongue. The delicious anaphora that draws you in. Again and again. This is a book to be read out loud.

Kama La Mackerel pays such wonderful tribute to the people who once were. The people who paved the way for us to come into being. The love languages we might not have known to recognize. ZOM-FAM is a reminder that we are as much them as they are us. It’s a reminder that our ancestors carry our stories and we carry theirs. It’s a reminder that we can explore new ways of being while still holding space for their ways, their love languages, their pain even when we wish they would have known to love us better. This is healing.

Further notes on colonial control over gender and language

It is with no small amount of discomfort that I’m coming to terms with the reality that my preferred tongue is the tongue of my colonizer. That my parents’ decision to anglicize me and my adult decision to uphold this decision, is colonialism’s chokehold around my neck. Ad eternum. Is it possible to exist truly, freely, in this world, governed by neo-colonial, imperialist, capitalist, patriarchal constructs? In this world built on unfairness and discrimination? Where subservience, shame, guilt and alterity are inculcated with such success that we are turned into tools of our own oppression?

I don’t know.


The master’s tools will never dismantle the master’s house.

– Audre Lorde

There is but a fragment of freedom. A glimmer of hope. In reclaiming our ancestral tongues we can expand on our own terms, we can explain ourselves through our own lenses.

In ZOM-FAM Kama La Mackerel says:

there is a voice that did not go to school
does not speak English
does not speak French

yet echoes wisdom and truth

in my bloodstream

like the waves of the oceans

that witnessed

the loss of our languages

that voice tells me

that I do not need an imperial language to define myself
that I do not need to be trans in English or in French


Reviews of ZOM-FAM

“ZOM-FAM” by Kama La Mackerel – Sabrina Likes to Read

ZOM-FAM by Kama La Mackerel – World Literature Today

Mauritian literature and reimagining canon

I had my first real brush with Mauritian literature at 26. As I understand it, it’s not unusual for Mauritians to be wholly unacquainted with Mauritian literature and even African literature in general. In fact, As Umar Timol points out, it is very possible to go the entirety of your Mauritian schooling without reading a single book from a Mauritian author. That’s troubling.

I studied English as one of my “main” subjects my last two years of high school (HSC) and had 8 books to read – 4 of which were Shakespeare. I had a hard time connecting to the material and an even harder time understanding why I had to read so much Shakespeare. As a Brown girl coming of age in the Indian Ocean and the African continent, I was overwhelmingly exposed to white male authors. Why was studying Shakespeare such a crucial part of my upbringing? How did it contribute to my understanding of the world around me?

Shakespeare was giving me no tools to understand my reality and how I could relate to it. I wasn’t engaging in meaningful conversations with my peers about our lives and what we could do with them. Everything felt immaterial and abstract.

The only worlds I could imagine were white

In my imagination, and perhaps the collective imagination I was brought up in, literature had been deemed an essential learning medium, a practical storytelling tool, but the stories we read and could then envision ourselves in were mostly white. As a child, I remember wanting to change my name to Julie-Anne. I wished my last name wasn’t such an ethnic mouthful. I wrote stories about beautiful blue-eyed protagonists. My walls would be plastered with posters of white teen idols. My dolls would all be slender and white, with conventionally Western features. All the beauty I could imagine was white. All the universes I could imagine were white. I could either become white and be centered or accept my non-whiteness and be sidelined.

I’d long wondered why it was so hard for me to finish a book. I convinced myself there was something fundamentally wrong with me, that I had forever ruined my attention span by consuming too much short-form content once I had internet access, that I just wasn’t a book person. I’d loved reading as a kid but in high school, fell asleep at the many Shakespeare pages and post-college, could barely make it through the first few chapters of a book. As a young adult, I tried to buy myself “classics” – from Zola to Camus to Sartre – but remained unable to truly engage.

Then 2020 happened and everything changed. In the wake of the globalizing Black Lives Matter movement, I discovered scores of books, authors and stories that could captivate me, engross me fully. Stories that kept me up at night. Stories that made me reflect deeply on the human condition. Stories that made me question so many of the systems I am a part of. Stories that reflect my own, stories that embrace me and nurture me. And then it dawned on me: there was never anything wrong with my attention span. I had just been reading what I thought ought to be read rather than what I actually wanted to read. I’d been reading stories so far removed from my reality I couldn’t find myself in them.

Redefining canon to center our narratives

In conversations I’m sometimes a part of, entire parts of the world are painted with a broad brush. So much nuance is given to different parts of Europe. American cities are depicted as multiculti melting pots, with intricacies, tonal variations in accents and millions of little idiosyncrasies to set them apart. But then Africanness in art, literature, music, food, is often thrown around as a singular concept meant to encompass what cannot and shouldn’t be encompassed. If Africanness is peripheral at best, our understanding of what is canon is narrow and limiting.

Looking up to white and Western writers as the only standard helps cultivate a strong sense of intrapersonal racism. It reinforces the racial hierarchy that puts whiteness above the rest and makes it even more difficult to break free from our colonial shackles.

Reading Nathacha Appanah and Ananda Devi’s work over the past few years has been wonderfully life-affirming and allowed me to center myself as a Brown woman, to connect with the history and legacy I unknowingly carry, to see beauty in that which I’ve been told for so long isn’t beautiful.

[P]wiske nou bann insiler nou regar tourn inevitableman ver letranze e pena nanye de mal ladan me nou bizin kapav interpret noumem atraver prism nou prop regar, setadir atraver regar nou bann ekrivin.

Kifer li inportan ansegn liv par ekrivin morisien dan lekol – Umar Timol

Reading Chimamanda Ngozi Adichie, Yaa Gyasi and Chinua Achebe has been similarly liberating, allowing me to connect to the African continent in ways I never knew possible, to hypostatize a tangible sense of Pan-Africanism, to look to places other than the White White West as bursting with possibilities and excitement, to discover people and characters with intersections similar to mine.

Over the past year, I’ve seen a growing movement urging us to diversify and decolonize our book shelves. In trying to do so, I can look outwards and within and see beauty. This is healing. As a Brown person, stories from other BIPOC help me carve a place in the world that isn’t borrowed. It transforms me into the protagonist of my own dreams. It provides me with frameworks to understand realities that concern me and the place I may choose to take within them. It heals intergenerational trauma. If it’s not being done within the classroom, communities should be coming together to tell one another stories that are our own, to breathe hope and light into each other and to let our narratives take centre stage.

Further readings:

Education does not fail, it makes machines
Kifer li inportan ansegn liv par ekrivin morisien dan lekol
Sabrina Likes To Read

Americanah – Chimamanda Ngozi Adichie

I only became black when I came to America.

Ifemelu, Part 4, Chapter 31

Right in the midst of clumsily attempting to put the pieces of my third-culture-kid identity together, and fresh off the heels of reading life-altering Girl, Woman, Other, Chimamanda Ngozi Adichie’s Americanah was exactly the warm bowl of literary soup my soul needed.

This book has revealed to me so many unknown truths about myself. As a Canadian of Mauritian parents and Indian descent, I’ve, for a long time now and mostly unknowingly, struggled with what I would now call an identity crisis. I spent much of my teens and twenties confused and angry about why I didn’t resemble the images others would paint of me to a tee. In Mauritius, I was Canadian. In Montréal, I was Indian. I haven’t been to India yet – the one cultural exposure amiss which could either solve things or further complicate them – but I suspect I’ll read as something distinctly other there as well.

Slowly, but only very recently, have I come to realize that while this whole ethnic méli-mélo is unrelenting in the confusion it causes, it’s also oozing effortless chic. I am a colorful product of colonization, displacement and immigration and need not feel inadequate because of it.

Americanah has hammered that feeling in. Navigating life as a Nigerian in the US, protagonist Ifemelu underlines untold, arguably universal truths about BIPOC immigrant realities. In her fastidious observations of her life and the people now inhabiting it, she calls attention to the many different behaviors people adopt, the flattering ways people seek to present themselves, the variety of fashions there are for humans to be flawed. She notices for instance, the difference in immigration stories between her friend Ginika, her Aunt Uju, and her nephew Dike, who, having moved to the States at different life stages, were molded by their new worlds in entirely different ways. She observes American life as an outsider at first, then increasingly, and reluctantly, as someone who belongs, in spite of her best efforts to remain true to her African core. She picks up and puts down accents, which I found brutally honest, having only admitted doing so myself relatively recently.

Impractical dreams of immigration, understood by kin but perplexing to the privileged, are penned down in this poignant paragraph:

“[T]hey would not understand the need to escape from the oppressive lethargy of choicelessness. They would not understand why people like him who were raised well fed and watered but mired in dissatisfaction, conditioned from birth to look towards somewhere else, eternally convinced that real lives happened in that somewhere else, were now resolved to do dangerous things, illegal things, so as to leave.”

Narrator, Part 3, Chapter 29

The longing Adichie describes, for something better, other, a point at which life can finally begin, rings true for so many people I’ve known, so much of myself. Being conditioned to look to the US, the UK and other “Western” countries for hope and permission to dream is the untenable dogma we so often buy into, undercutting our natural instincts to enjoy the life we’re born into for what is it.

She describes inevitably returning to Nigeria after years of expatriation, only to feel like a foreigner in her homeland, to feel a certain sense of superiority towards the unchanged, to feel guilt about the superiority, but to feel it anyway. She longs for what could have been and what was left behind.

“She was no longer sure what was new in Lagos and was new in herself.”

Narrator, Part 7, Chapter 44

Americanah is bursting with insight and speckled with spot-on commentary on race, immigration and the complex ways of being we craft ourselves. Adichie’s tour de force is gripping and made me realize that I too, have had a immigration story and I too, using novels of this magnitude as tools, can begin to heal.

Reclaiming Indian wear, and other Brown things

If this year has had one silver lining, it’s the collective awakening that seems to have been happening over the past few months. While it is entirely possible that social media, designed the way it is, cleverly built up an echo chamber around me, it still seems that people have gone through a lot of emotional and mental rewirings of different kinds this year.

On my end, I have learned and spoken about decolonization, colorism, casteism, racism, feminism, intersectional feminism, whiteness, eurocentrism etc. more than I ever had before. Things that used to be white noise have come to the forefront of many conversations. In the process, I’ve also been dealt my fair share of cognitive dissonance when failing to fully integrate newly learned decolonial notions into my daily thoughts and practices. While these concepts are certainly not new or unheard of, they do seem to have made their way into the mainstream relatively recently. And for that, I am thankful.

While reflecting deeply on behaviors I’ve had, navigating white hegemonic spaces (mainly in Montréal, Québec), I’ve had the chance to delve into past experiences that may have pushed me to seek distance from “Indianness” or “Brownness”.

Racial micoaggressions, a timeline

2009

I’m going out for coffee with a (straight, white cis-male) university acquaintance my first year of college. Turns out I’m being taken to a restaurant instead of a coffee shop, in Montreal’s Chinatown. As we’re finalizing our order, the waitress asks both of us if we want our meals spicy, to which he responds, “spicy for the Brown girl please”, with a large smirk as he attempts to exchange with me a knowing look I have no reference for. In his eyes, he’s being considerate, worldly even, for pre-empting my obvious desire for spicy food. In reality, I don’t eat spicy food. Unused to this kind of social context and not wanting to cause a stir (probably not knowing this was worth causing a stir over) I say nothing. I quietly comply as a decision is being made on my behalf based on assumptions that don’t reflect anything real about me. I briefly wonder if something’s wrong with me for not enjoying spicy food. Like I let him and Brown people around the world down. After our exchange, which, in his severely misguided eyes has somehow turned into a date, he asks me if I want to come over to watch Bollywood movies.

2011

I’m in the elevator at my university with a Mauritian friend. One of my (white, presumably straight cis-male) professors comes in, greets me, and engages in run-of-the-mill small talk. After a few minutes, he looks at us and asks, “hey, are you sisters?” My friend and I bear no resemblance to one another and in fact look markedly different. I tell him “we aren’t” to which he responds something about us looking alike which is why he asked. This alienating comment leaves me reeling with an incomprehensible discomfort I only now am better equipped to recognize. It leaves me feeling like my being Brown is a prominent personality trait, and that it precedes me as an identifier. That I am Brown first, and I after.

2014

A (white, presumably straight) Starbucks barista greets me with their trademark OTT glee. She takes my order, cheerily throws in a few non-sequiturs and then tells me, “oh My God, do you know who you remind me of? Mindy Kaling! She’s so funny, I love her!” I look at her, completely nonplussed, giggle courteously – because what else do I do – and swiftly move along.

2016

I have a doctor’s appointment. He (white, presumably straight cis-male) is reading my name out loud from my patient form and starts to articulate my last name syllable by syllable, as it often happens. “JA – GA – TS… how do you pronounce it?”, he says, to which I reply my usual “ça se prononce comme ça s’écrit“. When he finally gets around to pronouncing it right-ish, he looks at me and says “you know, my daughter has been to India”, to which I say nothing. He then proceeds to say “sadly, I don’t speak Indian”, to which I reply, “great, neither do I”, not having the energy to explain that, for starters, Indian isn’t a language. After this uncomfortable interaction, I go through my appointment, pay and leave.

On identifying as a “coconut”

(U.S.) a person of Hispanic/Latino or South/Southeast Asian descent who is seen as being assimilated into white American culture.
(UK) a brown person of South Asian descent who has assimilated into Western culture.

Wikipedia, List of Ethnic Slurs

During my years of denying my Brownness and refusing to identify with it, I’ve often proudly and affectionately referred to myself as a coconut, unconsciously positing that my proximity to whiteness (if not in appearance, then at least in manner) was indicative of a higher purported value. This tendency to want to culturally distance myself from people like me (specifically, Indo-Mauritians or in a broader sense, South Asian diaspora) just seems to stem from an acceptance or acknowledgement of Brownness as inherently inferior to whiteness.

I didn’t want to confirm biased imaginings of Brownness, so I meticulously curated a Canadian self that erased the “ethnic” aspects of my being. If I watched Bollywood movies, that was expected of me. If I enjoyed butter chicken, that was expected of me. If I wore a saree, that was expected of me. But if a white Canadian woman would do these things, she’d be considered worldly, cultured, modern. When I do, it’s painfully obvious and expected at best, stereotypical and primitive at worst.

All the aforementioned episodes, amongst others, led me to seek to dissociate from Brown communities and cultures. This understanding of Brown identity as a singular entity was the only one I was subjected to, so it became my only understanding of it too. I learned that the color of my skin preceded me and told wildly inaccurate stories about me. That I’ve had to continuously prove my Canadianness to others because Canadianism is understood to be white has been exhausting, and forced me into stifling imaginings of past, present and future selves.

Reconstruction is a long and arduous process. Although the identities we’ve had might not have been entirely representative of who we are, they’re still ours, and easily recognizable, which makes departing from them difficult. But it’s not because we’re not who we used to be that we aren’t ourselves anymore. We hold within us endless capacity for renewal, something we should take in stride rather than be defeated by.

On embodying multiple cultures at once

In conversations with other South Asian diaspora women, I’ve been privy to the similitudes in our journeys, in our struggles, in our fractured stories of displacement and unbelonging. Many of us have experienced the harrowing conflict of feeling insufficiently Brown or Western, as we clumsily straddle the culture lines. All this dilly-dallying and attempting to conform just means showing up fragmented. Putting our Brown faces on in front of family. Showing up in full coconut-mode to see our North American/European friends, checking our “ethnic” selves at the door. This means picking up and putting down variations in accents and body language, dressing different, looking different, acting different. This means never showing up whole.

All this dilly-dallying when what we should actually be doing is embracing the multiplicities within. Embracing them such that we see ourselves for the complex beings we are, that we no longer seek to assimilate into either culture by giving up on the other. If there is a profound acknowledgement of the multiplicities within, if this acknowledgement can in turn be supported by accurate and diverse representation, if we can then place ourselves amidst communities that celebrate our pluralities rather than condemn us for them, we are stronger, we are layered, we are whole.

I am comfortable knowing that I can be multiple things at once, and others’ reductive opinions of me aren’t tantamount to my understanding of myself.

In the acknowledgement of this fragmented state, I’ve been able to start dismantling oppressive mechanisms and begin identity reconstruction. I can now put a lehenga on without worrying about how I’ll read as “Indian”. I can proclaim my love for butter chicken and bhindi fry masala. I can watch Hindi-language shows without feeling like a cliché.

I now know myself well enough to attest that my individuality precedes the color of my skin. I am comfortable knowing that I can be multiple things at once, and others’ reductive opinions of me aren’t tantamount to my understanding of myself. Rather, this reflects their limited understanding of complex identities that result from years of colonization, indenture and globalization.

I can assert myself in multiple settings and bring my whole being to the table. I am Brown and not Hindu, I am Mauritian and not Indian, I am Canadian and not white, I am African and I am North American, I speak English and French and Kreol and ultimately, am far greater than the sum of my parts.

Further readings:
Reclaiming Indian Food from the White Gaze
Stewed Awakening
Unfair and hairy

Sexual harassment, catcalling and rape culture in Mauritius

Image by Zoe Stromberg @cutecatcalls

“Men are afraid that women will laugh at them. Women are afraid that men will kill them.”

– Margaret Atwood

Sexual harassment – a history of trauma and complacency

When I was about 13, I had my pussy grabbed (hey 45!) by a teenage boy in a Rose-Hill shopping gallery. I was walking by, minding my own business, and was casually sexually molested. My (female) friends burst out laughing. The first (and only) thing I felt was embarrassment. I didn’t share this story with anyone who could have been of support (a so-called “responsible adult”) at the time because I felt it was somehow my fault this had happened to me. Boys will be boys and I should know better. This is how I justified sexual violence. This was not the first time nor would it be the last.

Last year, I was on the bus (on my way to therapy, that too) and a young man came to sit next to me. A few minutes later, he started rubbing his arm against mine. I gave him the benefit of the doubt – this type of rationalization often makes things less traumatic – and inched away from him. A few minutes later, he abruptly put his hand on my leg. I froze. I’m so vocal when it comes to advocating for womxn and our rights but when this shit happens to me, I freeze. I shook him off and stared at him. He smiled and moved his hand away, apologetically, acting like it was unintentional. I was petrified. I quickly called a friend and attempted to vaguely describe the situation. Said friend calmly listened and asked me to move to another seat. A reasonable suggestion, but nothing you can think of when you’re in the middle of it. I was wedged against the window, too scared to change seats, scared that if I moved, he might grope me in other, more intimate places. I felt cornered. My friend stayed on the phone until I was able to move and talked to me until I felt better. Soon enough, I got off the bus and went on about my day.

In the aftermath, I told some friends and relatives about what had happened. While some people expressed sympathy and rage (two emotions mirroring my own), some responses were shocking at best, harmful at worst.

“But what were you wearing?”

“Yeah, I know, this kind of stuff happens here.”

“Why didn’t you just move though?”

Two of the above responses shift the responsibility entirely on me. The third, expresses complacency towards a social plague we are just expected to live with. Where’s the outrage? It is this way, it’s been this way, deal with it. Many years after my pussy was grabbed in that shopping mall, years after having forged my own idea of womanhood and coming into my own in more ways than I dreamed possible, my trauma remains as easy to dismiss as ever. 15 years later, I’m still made to feel like sexual violence at my expense is my own doing.


Catcalling, a day in the life

Earlier this year, I was walking my friend to the Port-Louis bus station. On our walk, we got catcalled and harassed for 10 minutes straight (mostly by street vendors near the vegetable market). It was annoying at first but got increasingly disturbing and worrisome. Once we arrived at the station, I went up to a group of bus conductors to ask when her bus would be leaving. The moment we turned to walk away from them, one of the conductors started muttering “come here little girl, come on, come”. Infuriated and emotionally exhausted from the walk we’d just had, I turned around and yelled back. “Are you talking to me? Can I help you?” He shrugged, looked away from me and said no. We turned away as my friend yanked me, signalling me to quiet down. Coward, had the gall to talk down to me with my back turned but had nothing to say to my face. As we walked off, I heard them giggling and mumbling to each other, one of them calling me féroce, a disparaging term in Mauritian Creole, often used to qualify womxn who show too much spunk. They laughed it off as we walked away in fear and rage. Must be nice to make light of the trauma you casually inflict.

Sexual harassment both reinforces and nourishes the cultural and systemic limitations, dehumanization, objectification and sexualization of women and violence against historically marginalized or forgotten communities—every day and all the time.

– Alison Roh Park, writing for INCITE!

I’ve highlighted a handful of similar, highly traumatic episodes to drive my narrative here, but make no mistake, these are by no means isolated instances. If anything, it’s dishearteningly commonplace. This viral video from 2010 accurately depicted what it can be like to exist as a woman in a city (in this case, NYC) and showcased a variety of examples of the types of comments and behaviors we are subjected to on a daily basis.

I am catcalled, whistled at, honked at, leered at and/or harassed anytime I leave my house in Mauritius. I often have men slow their cars down to get a closer look or offer me a lift, men who insist on walking me home. These are some of the more common, often benign (by some accounts, not mine) forms of street harassment. On the nastier end, lewd, explicit, occasionally violent comments on one’s appearance such as “nice ass”, “nice tits on that one”, “she looks like she takes it hard” and more. Every now and then you’ll be followed, sometimes all the way into a grocery store. Rarer, but not unusual, are men who call womxn sluts for not responding to their catcalls (?). Why the fuck should we? Why assume we owe you anything at all? We don’t owe you a response, an acknowledgement, a smile.

People have offered up different solutions to catcalling. Talking back, taking alternate routes, ignoring them etc. I’ve tried it the angry way and although it’s occasionally been cathartic, it more often than not has made me feel like I was putting myself at risk. Of late, I’ve adopted this strange methodology: I remove my glasses and listen to music while walking alone on the street. I keep to myself, I avoid eye contact. In doing so, I am oblivious to most looks, comments and insults. I’m not entirely shielded from them, but it keeps me sane. I can exist within a culture that normalizes street harassment only because of coping mechanisms I crafted myself. The state isn’t doing anything about it. People around me, while occasionally bothered, have largely accepted it. This isn’t and shouldn’t be a long-term solution. Things must change.

Rape culture and internalized misogyny

“If what I wear is comfortable, I am not a woman. If I shed the layers, I am a slut.”

– Billie Eilish

Preston Ni listed an interesting and important set of behaviors and thoughts womxn have which are indicative of various degrees of internalized sexism. These beliefs and thought processes often underlie learned helplessness, rendering so many of us passive in the face of harassment. Some of his observations hit really close to home, especially when he pointed out how some womxn “[defend], [justify], and [excuse] individual acts of misogyny either toward oneself or toward other women”, often direct and indirect consequences of patriarchal society.

People (often cis women) close to me have frequently suggested that I endure more street harassment than I should have to because of the way I dress. I am an easy target because I often bare my midriff. If I’m confident in my body and want to dress in a way that flatters it, I must be asking for it. Well, I refuse to buy into this pathetic excuse for a rationale. I will not clothe myself such that I may be spared sexual abuse. It’s not my responsibility. Prepubescent me was still groped. Adult me is catcalled regardless of what she wears. Additionally, it’s not like womxn don’t already take all kinds of precautions all. the. time. I never walk alone at night. I barely walk alone at all! I don’t engage in conversation with random people. I take the roads most traveled and best lit. I am always on high alert and am hyper-aware of my surroundings at all times. All considerations men rarely have to take (if at all).

Shifting the responsibility onto the victim effectively trivializes sexual harassment, misconduct and assault. Instead of enabling victim-blaming, we should seek to eliminate the pervasive lack of safety that exists for womxn. This approach cuts the perpetrator way too much slack. No more boys will be boys. We do not exist for their consumption. I refuse to hide “inviting” body parts because that makes me a target for harassment, a target for abuse, a target for rape. It is not my responsibility to avoid rape. Rapists must learn to keep their hands and genitals to themselves.

Women as people, a radical thought

My relationship to a man is not what makes me worthy of respect. You don’t have to think of me as someone’s sister, mother or daughter to perceive my humanity. I am worthy of recognition because I am a person. My being female gives you no additional rights on my body. My being female does not relegate me to second class personhood. I am whole with or without being associated to a man.

I don’t need a ring on my finger. I have not been and cannot be claimed. I am not a commodity. I shouldn’t have to tell men “I have a boyfriend” to be left alone. I should be able to say, “I’m not interested” without having to fear for my life. I don’t owe you niceties, I don’t have to soften the blow. You shouldn’t apologize to my partner for harassing me, you should apologize to me. I am me, first and foremost and I don’t need to be anything further for my humanity to be valid.

We should unlearn the understanding that womxn’s bodies were designed to cater to the male gaze. Unlearn the notion that catcalling is inherently complimentary. Divest from the patriarchal structures that allow social ills like street harassment and domestic violence to persist and be left unchecked. As womxn, as allies, we are part and parcel of this patriarchal framework and need to center ourselves and reimagine society in ways that recognize our fundamental humanity. We need to reckon with our internalized sexism.

I am not an appendage to a man. I am not here for anyone’s consumption. I am not a slut. I am not a prude. Do away with your double standards.

Further readings:
What Is Street Harassment?
Op-Ed: Words matter, joking or not
Rape Culture
Street Harassment of Women and Girls in New York City
Gender and Insecurity in Mauritius
#metoomru
Sexual Harassment Survey in Mauritius

Anti-Blackness is hiding in plain sight

Foreword

Writing this piece took a long time – I had a whole lot of momentum when I started in early July, which I lost and regained a handful of times. It took a long time because it felt convoluted. Because I feel it slightly odd to be addressing anti-Blackness as a Brown woman (is it my place, really?) Because I’ve entered the sphere of social discourse relatively recently and am learning that I need to hold myself to a high standard. Because I want to be as informed as possible when I present information as facts, which is no easy task because a lot of what I’m saying lacks a tangible paper trail. In this piece, I’ve tried to juxtapose my own realizations about my exposure to anti-Blackness with accounts I’ve read and heard about. It’s another vulnerable think piece, with reflections on my own performative allyship and problematic behavior. My goal in writing this is in part to document my thought processes but also, hopefully, to acknowledge my shortcomings such that I may move past them.  It still feels inaccurate and potentially incomplete and I will return to it as and when new insights inform my thinking. If your exposure to anti-Blackness differs from mine, please note that this in no way nullifies my experience or yours.



A Rude Awakening: The Killing of George Floyd

June 2020 was an absolute whirlwind. An awakening. The unfolding of events triggered by George Floyd’s brutal lynching has brought many things to the surface. Things that were hiding in plain sight.

Over the course of the last 2 months, I’ve been scrambling to catch up. I’ve drawn up reading lists. I’ve committed to diversifying the media I consume. I binged watched Dear White People and 13th. I furiously Googled Angela Davis, bell hooks, James Baldwin et j’en passe. I read – and by read, I mean barely made it through – Eve Tuck and C. Ree’s A Glossary of Haunting (2013). I learned more about decolonization and indigenization. I read stories of colorism and told my own. I’ve had belief systems upended. I learned that there are no easy answers. I’ve tried to do my homework and in the process, found myself harboring a growing cesspool of anger towards things I should already have been vehemently fighting against. 

In doing so, I’ve also felt incredible guilt, guilt for having been so complacent, guilt for having collated POC experiences with Black experiences, guilt for having the privilege of not having had to reckon that seriously with discriminatory social constructs earlier on, preemptive guilt for the complacency I likely will fall back into once anger subsides and momentum is lost.

In thinking about anti-Blackness in the United States, I’ve had to contend with this phenomenon being alive and well in Mauritian society. Many, mostly younger people (Gen Z and Millennials), have been having similar reflections and sharing experiences and perspectives. A quick glance inwards and around can reveal a lot of uncomfortable, often racist history. Yet our collective efforts still seem to pale in comparison with how we react to anti-Blackness elsewhere.  If we’re capable of showing unbridled sympathy towards the unfair and unequal treatment of Black lives in the US, why can’t we talk about what’s going on in our own backyard? Why does injustice across the world somehow hit closer to home?

The Black Lives of Mauritius

Mauritius’ racial makeup is the product of centuries of colonialism. Having no indigenous population, we were initially colonized by the Dutch, who brought slaves from mainland Africa with them. When slavery was abolished in 1835, Mauritius had an influx of indentured laborers hailing largely from India. Today, the ethnic composition of the country is still marked by early colonization, with roughly 70% of Mauritians being of Indian origin, and descendants of African slaves making up 25% of the population (source). With these two ethnic groups forming around 95% of the general population, it’s astonishing that Mauritius continues to be a favorable environment for white supremacy to persist.

In her paper, Decolonizing Creole on the Mauritius islands: Creative practices in Mauritian Creole, Gitanjali Pyndiah contextualizes insensitivity towards Black lives in Mauritius from a linguistic perspective. Citing Frantz Fanon, she explains that “the taboo around Creole languages is a reflection of an inferiority complex, visible in the attachment of the colonized for the colonial language” (Pyndiah, 2016). I would extend this observation to behaviors beyond language. We still largely buy into systems that were designed to oppress and exploit us. We are ensnared in residual neo-colonialism and this is apparent in what we see as valuable and what we seek to assimilate into.

Whiteness theory can shed additional light on why these neo-colonial constructs persist. Because “whiteness establishes a reality in which white people, as victims of their race as centric, do not experience the adversity of those with minority identification… whiteness [is] invisible to those who possess it, resulting in both intended and untended otherization” (Ahmed, 2012). As such, whiteness “posits itself as the norm, from which all other things are deviations” (Alang, 2020). If we do not wish to be seen as deviations, as other, our best bet is seeking to embody the white standard as closely as possible.

Disappearing into whiteness takes a lot of different forms. It’s defaulting to English or French without thinking twice. It’s seeking to erase traces of our cultures in the way we speak, the way we look, the clothes we wear, the people we date. It’s using bleaching creams in hopes of wiping out unruly layers of darker skin. It’s systematically rejecting things that substantiate racial stereotypes. And as Sahaj Kohli (POC counselor in training) accurately points out, it’s “[subscribing] to the belief that [our] worthiness is tied to [our] proximity to whiteness.”

Mauritian Legacies of Whiteness

In Mauritius, we are conditioned to move through the world in a way that makes space for white people. We might not be told in such explicit terms that white people are superior to us, but it is somehow understood. We don’t walk side by side, but on a diagonal. It’s understood that most white kids don’t attend the schools we attend, because they can afford not to. It’s understood that they own many of the large conglomerates that control resources and the redistribution of power. It’s understood that as a brown or Black person, you need to rise above your race and the limitations you often inherit to sit with the cool kids. If you manage to join their ranks, you’re cool by association. You hear the same couple of white last names in any conversation where corporate land ownership is mentioned, names that become synonymous with power. You grow to not question, but internalize these notions, such that they mesh with your worldview and reflect on your perceived place in the world.

During a coffee catch-up with a female POC friend recently, I felt the urge to bring race to the table once we were done exchanging pleasantries. We were very quickly able to identify our experiences with anti-Blackness in Mauritius, both as victims and instigators. As brown women, we both acknowledged having been on the losing and winning ends of anti-Blackness. This was probably the very first time we were in a space where we openly exposed our biases and the exchange was equal parts liberating and aggravating; it’s painful to have to think of our own contributions to systems we don’t believe in and are victims of.

Aqiil Gopee’s urgent and informative note reads like recurring dreams we’ve collectively had but never acknowledged except to ourselves. He eloquently recounts our colonial past, while delineating white but also POC-enabled racism against Black people. He also goes on to expose the very obvious, yet rarely addressed dichotomy between the small percentage of white people on the island and their potency: “White people might represent a numerical minority in Mauritius, but they still hugely benefit from the treasures colonialism begot their ancestors.” He calls out our active participation in colorism, and our responsibility as POC in perpetuating interpersonal and intrapersonal racism by seeing ourselves (at best) as peripheral to white people, as the self-effacing sidekicks to white protagonists in our own stories.

But the most devastating and shocking accounts of all (in recent memory, at least) has come from Ariel Saramandi, who offers a peek inside overt anti-Blackness in a Franco-Mauritian context, easily identifying neo-colonialism in Mauritius. She describes her unique experience of navigating life as a woman of mixed descent, privy to the social advantages her white father benefits from, as well as the discrimination her Black mother continues to face. Her account echoes an all too familiar feeling: “we imbibe racism until we cannot see the world in another way.”

Brown Fragility and Intrapersonal Racism

The common thread I’ve since observed in many POC pieces on anti-Blackness is a feeling of complicity and guilt. While explaining – and perhaps coining – “Brown fragility” as the forgotten counterpart to white fragility, Rochelle Picardo accurately depicts the discomfort we feel when being faced with our own biases. Because we so badly want to be good, because we can’t see ourselves as good if we’re racist, acknowledging our racial biases is uncomfortable. But as Picardo continues to posit, “this notion is not only untrue, but it is harmful. It downplays that other people of colour can — and do — play a role in defending the white status quo that is actively oppressing BIPOC.”

Allyship beyond the performative is imperative. It’s unreasonable to think about dismantling systems if we cannot recognize how we benefit from them. We cannot urge others to uncover their implicit biases if we don’t do so ourselves.

I’ve done some digging and thought it necessary to put some of my own biases out there. Because it’s time. Because hopefully, it’ll be liberating. Because I believe many of us are out there acting on neo-colonial notions we badly need to dislodge.

So here’s a non-exhaustive list of thoughts I’ve had and things I do that a) feed into intrapersonal racism and b) are directly or indirectly anti-Black:

  • Hide my face and body from the sun
  • Compare skin tones with other brown people to see who’s fairer
  • Feel better about myself when I haven’t tanned and people notice it
  • Feel shitty about myself when I tan
  • Feel less than when I see my boyfriend’s fairer body next to mine
  • Feel better about myself when I’m around darker people
  • Subconsciously hold more space for white people and stories
  • Feel small in overwhelmingly white spaces
  • Aggrandize my Canadian (potentially white) identity and belittle my Mauritian one
  • Use filters on Instagram that “correct” darker patches of skin
  • Internally reject social media images that don’t fit a slim and largely white ideal
  • Feel an increased sense of worth when given attention from white men (as opposed to men of color)
  • Defer to white people’s opinions and knowledge (assuming they know better by default, when it comes to everything under the sun)
  • Whitewash my stories and experiences so I don’t come across as “foreign” or “exotic” (as a brown woman living in Canada)
  • Internalize whiteness as standard, as normal, as ideal and hence seek to tone down “cultural” aspects of my being
  • Subconsciously feel the need to prove myself in front of white people

In reflecting on my painful contributions to white-centrism, I’ve come to realize that this often reads as “I may not be white but at least I am not Black”. I find myself caught between inferiority and superiority complexes, grappling with a flimsy sense of self that longs to be centered.

If there’s any one thing I’ve slowly internalized in my readings and conversations over the past months, it’s the notion that racism is fundamentally systemic. That the system isn’t broken, because it was built this way. We have to unlearn our understanding of racism as being strictly behavioral, because this notion addresses a symptom while glossing over the cause. Even if we haven’t explicitly expressed racial prejudice towards people different from us, we’ve either been benefitting from the system or been unfairly penalized by it. Sometimes both.

There isn’t a one-size-fits-all road map on how to rid ourselves of our biases and decenter whiteness. We’re all moving along at our own pace, trying to keep up, unlearn then relearn and fuck up a little less. A lot of good people have been putting in the work though, by sharing their stories, by creating content for change, by supporting BIPOC businesses, by listening, by educating, by providing learning spaces and by retelling history from an approach that isn’t white.

It still feels like there’s a lot of catching up to do – and systems to rethink and upend – but what I can commit to, at this point, is a relentless willingness to improve, to listen, to examine my biases, to educate myself. I plan to continually think of the systems I’m a part of: who benefits from them? Who do they oppress? I want to be the ally who shows up, warts and all.



Here are some resources that have been helpful in guiding me as I seek to decolonize my gaze, deconstruct my biases and de-center whiteness as a Canadian-Mauritian woman of color:

Decolonizing Creole on the Mauritius islands: Creative practices in Mauritian Creole
A Note on Brown Fragility, and a Call for Allyship
Indian racism towards Black people is almost worse than white peoples’ racism” An Interview with Arundhati Roy

A couple of Instagram accounts worth following:

Sheerah Ravindren – Hairy Darkskinned Tamil Dravidian Immigrant Womxn
browngirltherapy, initiative by Sahaj Kohli, therapist in training
BIPOC designer, recently launched the online course “Unpacking Internalized Racism”
Spicy Devis – Decolonial feminists, adding Brown experiences to your White feed
southasians4blacklives: Educating South Asians (SA) on dismantling anti-Blackness and exploring SA identity.

Unfair and hairy

I was born in the wrong body… and other lies I tell myself.

In cognitive behaviorial therapy, I learned about the concept of “core beliefs”, that is, deeply embedded and often distorted beliefs you have about yourself and the world.

Core beliefs are the foundation of many automatic thoughts, assumptions, emotions and subsequently behaviors. Your core beliefs can mold your worldview and significantly impact your experiences. Someone with negative core beliefs will tend to project this onto the world and unknowingly shape what they experience.

I’ve learned about myself and how I see the world thanks to CBT. I’ve learned to trace my feelings and thoughts back to my beliefs. Most of my negative assumptions and anxiety come from this main belief about myself: I am not good enough.

Under the “I am not good enough” umbrella are several subcategories. I am not smart enough. I am not funny enough. I am not educated enough. I am not beautiful enough. I am not fair enough. I am not white enough.

On good days, I am able to rationalize these thoughts and pay them little to no heed but they’re not not there, they’re just a little quieter than usual. On most days, they’re louder than anything else I can tell myself.

I recently read this devastatingly relatable think piece by my brown sister-in-arms on how body dysmorphia persistently rears its ugly head, even amongst those with “conventional” good looks, because we want to fit a while ideal. Nearly every line of this piece struck a chord with me, as if she was drawing from our collective consciousness, putting words to feelings I’ve harbored in secrecy and shame for as long as I can recall.

“…I silently, angrily demand my (brown) body to yield to the perfect (white) body that is etched clearly in my mind, I start my day with a sensation of being both too much and not enough.”

The author goes on to posit that instead of tirelessly striving towards body acceptance, we could choose to shoot for its less glamorous, but also less time-consuming and anxiety-ridden, counterpart, body neutrality. Body neutrality encourages you to focus on your body’s functions and achievements instead of its appearance.

But until we are collectively able to change the stories we tell our bodies, women will continuously be subjected to what is and should be “normal”. This standard of normalcy is still, by most accounts, white. The perceived value we seek to measure ourselves against is again, white. We are fed these ideals openly, through ads, the “media” and ever-increasingly, through hordes of often unrealistic, heavily doctored online content. But these notions unmistakably infiltrate our thoughts way more insidiously, through seemingly innocuous comments from those closest to us.

Throughout the course of my life, I’ve thought actively and negatively about my outwardly appearance because I didn’t meet those white ideals. I was reminded of them more often than I could realize and internalized these ideals for such a long time that I no longer even need others to remind me of them anymore; I can do it myself.

Fair and Lovely

In Mauritius, white ideals are easy to detect. I am brown, but because at least 70% of the population is too, racism here turns into colorism, where your particular shade of brown can positively or negatively impact your standing in society. We inherited this lovely communalist nuance from India, who has long associated being “fair” to higher social castes and hence, increased opportunities and higher perceived value. The fairer you are on the brown scale, the better.

In Anna MM Vetticad’s informative insider’s look into colorism in India, she contends that “white is a reminder of our colonisers, black the colour of African slaves; white is the dominant colour of today’s superpowers, black we associate with a poverty-stricken wilderness; white is linked to Brahmins i.e. those who work in the shade, black to lower castes i.e. those who work under the sun. It’s complicated and convoluted.” This strain of discrimination is not lost on us here in Mauritius.

As such, I grew up comparing skin tones with other brown friends. We’d identify the fairest patch of skin on our bodies and present it to our peers as proof of our purported superior value. I grew up feeling bad when I’d tan at the beach and become darker than usual, because darker indicates lower social class, indicates poorer, indicates not desirable. I grew up thinking that women in heterosexual relationships ought to be fairer than their partners because fair is beauty and what ought women be if not beautiful?

The normalization of widely available skin whitening and skin bleaching cosmetics contributed to furthering this Eurocentric narrative. If you’re not white, you must at least resort to unnatural means to try to be.

I came of age thinking the color of my skin would affect my place in society and the chances I’d be afforded. If I’m fairer than most, I likely come from a “better” family, I have access to better opportunities than most and as such, am more valuable as a human being. The closer to being white I appear, the most value I have. I’d love to say being able to intellectualize these ideas disempower them but alas; hello, core beliefs!

Shave, wax, thread

I distinctly remember seeing Gillette ads on TV as a teenager where white women would gleefully be shaving their already hairless (?!), smooth and shiny legs. I would see my friends in school with threaded eyebrows, shaved underarms and legs and at 12, told my mom, “I don’t want to have body hair.” She didn’t want me to shave because she didn’t want me to end up with prickly legs and an itchy bikini line, so she introduced me to waxing. It hurt like a bitch and I remember my armpits bleeding as the wax tugged at my coarse, black hair. It bled and hurt but hey, at least I’d be hairless and fit for consumption. It baffles me that 12-year-old me already had it on such good authority that this would be an important step towards womanhood.

Fast forward to my early adult life, I began to be criticized for my bushy eyebrows, being told they looked unladylike and were off-putting. So I started getting them threaded. And after that, it would be my moustache! To this day, whenever I get my eyebrows done, the spa lady unfailingly asks me if I want my upper lip waxed too. Where does it stop? I have hair in all kinds of “undesirable” places and it affects my value, how I perceive myself, how my femininity is judged. Do I need to run for my razor the moment unwanted follicles inevitably resurface? Do I need to constantly be making sure that I closely resemble those impossible ideals? 16 years after my first contact with waxing, I still look down on my hairy legs, pits, breasts, belly (you name it) and gasp in horror as my perceived value rapidly starts to fizzle out. I remain unfit for consumption.

I feel great when I haven’t been in the sun for a while, when I’ve recently shaved my prickly legs, when my waistline is too small to even pinch. I feel this way because I remain largely unrepresented. My brown, imperfect, hairy body doesn’t feel represented in traditional and social media. Those voices are out there but they’re just not loud enough. They’re drowned in an ocean of picture-perfect hairless, overwhelmingly white (or fair) bodies, easily dismissed as “ugly”.

Sheerah Ravindren is one of those voices. She is brown, beautiful, hairy and confident as heck. I recently came across her page, shuddered, and felt the urge to brush her off as non-ideal. But fuck that. I can no longer afford to look away. I cannot actively repress visuals that displease me because they reflect negatively on the white self I want to embody. 

I pause and take a longer look. I feel empowered. I feel seen. Brands like American Eagle have also started doing their share to promote bodies of different sizes, shapes, colors and textures. I now see models who look like me. What a breath of fresh air! TV shows like Netflix’s Never Have I Ever are telling the non-white-centric coming-of-age stories South East Asian diaspora kids can start identifying with.

It might not be much, and it’s definitely not enough, but it’s at least a step in the right direction. More of us finally get to feel seen and represented and hopefully one day, beautiful in all our non-whiteness.

So here’s to adding my own voice to the conversation.